Talking To Your Bandmates During The Song Vol. 1
For those unfamiliar with our organization, DPAC, the Dork Prevention Advisory Committee has been entrusted with the ardent task of upholding, maintaining and preserving standards of cultural coolness & integrity for successive generations. We conduct ongoing policing of pop singers recommending safeguards and protocols with the noble aim of curbing, avoiding and eliminating Dorky Dialogue in popular music.
Our panel of experts have compiled a series of reports entitled “Talking To Your Bandmates During The Song: Case Files And Conclusions.” In addition to this website, copies of our reports will be available at all Federally funded government offices and institutions including but not limited to your local DMV, Post Office, and Public Library.
DISCLAIMER: DPAC should not to be confused with 2–Pac, nor is in any way affiliated with Self Help author Deepak Chopra.
Abstract & Origins
Dorky Dialogue is indeed a razor’s edge many have slipped from iconified grace and wound up impaled on Dork Stalactites in the corny canyon years or decades later. Such dialogue risks launching self–inflicted salvos at their own careers and creates blundering boomerangs as their own “Towers of Babble” return to sender. CAUTION is the watchword for unfiltered enthusiastic utterances in the studio or onstage, impromptu or planned.
DPAC aims to erect a “Speech Line: Do Not Cross” Auditory Police Tape so future musicians and entertainers may refer to maintain a successful “Bell Curve of Cool” throughout their careers as well as protect the airwaves and internet from Nerdy Noise Pollution. Our Publication SM 58: Dampening Dorky Dialogue (see below), provides helpful guidelines for singers to learn when to palm mute their given instrument. The Singer Modification 58 Protocols outline safe and unsafe lead vocal territories in regards to unnecessary chatter, gibberish, babble, bragging, ego stroking, superfluous filler, fluff, Paul Stanleyisms, etc.
Showing Some Love Towards Cover Bands
The first thing such Inter–Song Socializing (ISS) or Inter–Band Dialogue (IBD) on a recording does is it renders a particular song Cover Tune Unfriendly (CTU). Before engaging and risking such utterances, ask yourself “What are the odds cover tune band members will have the same names and/or play the same instrument?” Or be the same gender for that matter. If you are not good with math like a singer, the odds are about that of a Beatles reunion, Charlie Manson getting a record deal, or another Tiffany album.
Acceptable Usage and Examples
Neneh Cherry saying “Hey DJ…” in the intro to her hit track “Buffalo Stance” is one such example. Note that this is acceptable as Ms. Cherry refrained from naming the particular DJ, and just telling him (or her) to “Stop that effing scratching and give me a beat!”
Vanilla Ice prodded “Yo VIP–let’s kick it!” to get his DJ to press a button and get the the synth drums going on “Ice Ice Baby.” Again no one is insinuated by name and thus cannot be charged as an Accessory to Nerdy.
Steve Perry shouting after the piano intro to “Don’t Stop Believin'”, “Neil!” to Neil Schon to cue in the 4 note guitar lick build that increases in speed and crescendos with the drums entering. Steve did this live but NOT on the actual sound recording which would have definitely been North of dork and South of cool.
Frank Zappa and The Mothers Of Invention could get away with lots of inter band conversation onstage because it was musical theatre and part of the show.
Rap & Hip Hop have taken Inter–Song Socializing to new plateaus, talking to and about themselves with a frequency density far greater than that of other genres as they do not seem concerned with having their material covered by bands in nightclubs. Since it is so much a part of the genre, we have determined a hands off policy is the recommended approach.
When did all this Inter–Song Socializing (ISS) start?
DPAC has determined its origins seem to have been with James Brown, shouting “MACEO!!” To Maceo Parker his horn player. However these were live recordings and part of the spontaneity of being in the moment.
Note that doing so on an actual STUDIO recording is a logical contradiction, since if a band member is dumb enough to not know when to solo or play a certain part, then why would they be in the band to begin with? One presupposes they ARE in the band because they are competent on said instrumentation. ISS on recordings is further innecessitated when hiring session players for an album, who it can be safely assumed, know their ass from their elbow.
One recommendation is yelling out the name of the instrument about to take spotlight such as “Guitar!!” In regards to such solos, riffs, fills and licks, fans already know it’s coming and who’s playing it, so doing this in substitute of a bandmates name can prevent a dork meter spike and keep you safely south of dork. Bret Michaels finally learned this wise strategy on Poison’s sophomore album with the track “Nothin’ But A Good Time” after his horrendous transgression to C.C. on “Talk Dirty To Me.”
Consider the fact that your band members will already be listed in album liner notes and also on your website. You also get to introduce them live on stage every performance. Is there really a need to have such a conversation during the song?
Just Shut Up And Sing!! Well, you know what we mean—avoid mentioning your bandmates by name and at all during recording sessions. (The SM–58 Gold Standard—our preferred recommendation)
Sharpening Your Cool IQ
Imagine a Steely Dan recording session where Donald Fagen yells out to Jeff “Skunk” Baxter “Go Skunk!” Or to Elliott Randall, “Elliott!” on the opening solo of “Reelin’ In The Years.” A voice sample of E.T. The Extra Terrestrial saying “Elliott”, although getting points for originality, still fails to be a Trojan horse in the cool army.
Picture “Tom Sawyer” with Geddy Lee saying “Gimme a roll Neil!” to Neil Peart right before his first gargantuan drum fill. Then “How about another?”, and finally a “One More time.” Or alternately after the 3 big drum fills, Geddy saying “Wow, Neil was on a roll!” in some form of schlocky musical slapstick.
Singers are most often the guilty parties. Think about how dumb it would sound for another band member telling the lead singer to sing. Can you picture Jimmy Page telling Robert Plant “Scream Robert!” Or Keith Richards telling Mick Jagger “Sing unintelligibly like you always do Mick!” ISS seems to be a symptom of Lead Singer Disease (LSD) as guitarists, drummers, bassists, pianists and keyboardists, etc. are not prone to such fanciful faux pas.
Did we ever hear Freddie Mercury telling guitarist Brian May “Go Brian go!?” In the classic Rob Reiner Mockumentary This Is Spinal Tap, the track “Gimme Some Money” on the band’s CD makes fun of Inter–Song Socializing. It’s a retro 60’s Flower Power song, where lead singer David St. Hubbins (Michael McKean) says to guitarist Nigel Tufnel (Christopher Guest), “Go Nigel Go!!” as he begins a wimpy guitar solo replete with stellar garage band cacophony.
“Gimme Some Money” is a parody song. DPAC exists to prevent parody from unintentionally becoming reality, and any Careless Whisper or Momentary Lapse Of Reason from becoming a parody later on. That being said, we wish you a long and productive career filled with years of Certified Dork Free Recordings (CDFR).
Poison “Talk Dirty To Me”
“C.C. pick up that guitar and talk to me”
Bret Michaels yells out “C.C. pick up that guitar and talk to me” to C.C. DeVille on Poison’s debut album during the track “Talk Dirty To Me.” It’s like what the hell was C.C. doing prior to this in the song—NOT playing guitar? Sitting on his monitor amp painting his fingernails? It makes little sense. One needs to factor in and consider before doing so “Will this still sound cool 20 years from now?” Because unless you’re in a tribute band, and dress and pretend to be the actual members of the original band onstage, such lyrical appendages are better omitted.
Def Leppard “Armageddon It”
“Come on Steve, get it!”
Joe Elliott talks to one of his guitarists on the track “Armageddon It” off of the monstrously successful Hysteria album. He calls out to Steve Clark, “Come on Steve get it!” right before the guitar solo. Was this encouragement because Steve flubbed the last 5 takes in the studio? DPAC wonders if there could be some kind of curse in doing this—In Def Leppard’s case, this was Steve Clark’s last completed album (due to his untimely death) and our friend C.C. got fired from Poison later on as well.
Mötley Crüe “Girls, Girls, Girls”
“Hey Tommy check that out man
What Vince where?
Hey hey right there
Hey baby going somewhere?”
Vince Neil and Tommy Lee are obviously not at a strip club during this conversation even though that’s what most of the song is about—a tour of the world’s finest nude entertainment establishments. Unfortunately due to the global recession, some of the strip clubs mentioned in the song are no longer in business.
But does this dialogue have real world authenticity? Like any girl wouldn’t be like “Who are these juvenile douchebags?” Like they would say, “Oh that’s okay, they’re in a Rock Band so high school kinda stuff is still pretty cool. They’re socially exempt from being any more sophisticated than a cruder construction worker Cassanova to be successful with women. They’ve got motorcycles so they MUST be cool.” Ah, the ‘ol Harley hat trick.
Although the strip club bonding Bromance between Vince and Tommy was some drunken drooling over imaginary Double–D’s, fortunately the motorcycle starting up in the song’s intro was real as one of our Board of Directors knows the person who did it on the actual studio recording.
Rick James “Super Freak”
Rick slipped up twice in his hit dance track “Super Freak.” First he tells his backup singers, “Temptations Sing!.” We’re sure after a successful recording career prior to Rick getting his first pubes, that Motown veterans The Temptations know the difference between choruses and verses and when to get their backing vocals on. And hiring session musicians as experienced as The Temptations requires conductor caliber instructions from Maestro James during the track?
Rick also tells his sax player when to take a standard 8 bar solo, with “Blow Danny!” Really? Like Danny would do a solo during the verses when Rick was singing about some very kinky girl? We think not. There are “Lead Drummers” who inappropriately intervene thunderously real or imagined virtuosity over lyrics but the phenomenon of “Lead Sax Players” has yet to spike our grievance and peeve meters.
Prince And The Revolution “Computer Blue”
Is the water warm enough?
Shall we begin?
Although we’ve never heard Stevie Nicks or Christine McVie yell out “Go Lindsey” to Lindsey Buckingham telling him when to rip into a guitar riff or solo, one example of women talking during the song is on the Purple Rain Soundtrack. Our research has indicated female singers don’t tend to talk to their band members by name as frequently as their male counterparts. The intro to “Computer Blue” being a notable exception. The track begins with a conversation between Wendy and Lisa with no discernible reference to even playing an instrument.
What does this “girl talk” conversation have to do with a song entitled “Computer Blue?” Your guess is as good as ours. Incidentally, you shouldn’t have water anywhere near your computer as it can short it out and damage the circuitry. Yet certain questions still remain as to what they’re actually talking about. Our panel has narrowed it down to the following possible scenarios:
- Making herbal tea
2. Shaving their legs
3. Making sure the pasta they’re cooking turns out Al Dente
4. Visiting a day spa while on tour
Regardless, don’t let no thermometer stop you from purifying yourself in the waters of Lake Minnetonka:
This concludes Case File Installment #1. And remember:
Some singers get hip replacements, others need lip replacements.
Don’t get a D in Dork, score a C in Cool!
Loose Lips Sink Hits!!
The Dork Prevention Advisory Committee (DPAC)
© Composer Yoga
Related Posts To Check Out:
Prince Joke (Little Red Corvette)
Yoda’s iPod: “When Doves Cry” By Prince
The Prince Prophecy & The Let’s Go Crazy Code
Sound Mines: Prince “Mountains”
First Recording Of Purple Rain In America